The light that calls

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The term “mobile light” is highly specialized, but it fits perfectly with the topic of this article. The subject of our conversation is non-stationary lamps– those for fastening which literally do not require “no nails”. Note that it would be more correct to call the usual “floor lamp”, “table lamp”, “night lamp” simply lamps, each time specifying their type (floor, table andt.P.). But we decided to do without professionalism, and use in the descriptions the vocabulary accepted in everyday life.

So much has been said and written about the decorative role of light in the interior that now, it would seem, it is only necessary to briefly summarize and think about how to use the knowledge accumulated over the centuries in the design of your own home. But not everything is so simple. First, fundamentally different artificial light sources– halogen, fluorescent, incandescent lamps– exist in a modern interior on an equal footing. Secondly, the design of lamps is so diverse that it is extremely difficult to group them even by style. ATBecause of this, seemingly unshakable rules are subjected to serious testing. For example, the well-known statement, according to which a wall lamp, a chandelier and a table lamp located in the same room, should be the same in design, now it does not sound as categorically as it used to. On the contrary, we are urged to experiment and combine what previously seemed incompatible. Do you consider yourself a conservative? Well, so much the better, then it will not be difficult for you to use traditional recipes.

Around the world

Before embarking on a long and, we hope, exciting journey, we note that there are two fundamentally different views on the role of light in the interior. The first is related to functionalism in design and architecture. Its adherents are sure that lamps should be purely practical items, unobtrusive and not decorated in any way. The light is beautiful in itself, you just need to correctly distribute it in accordance with the characteristics of a particular residential area. The second view of the same problem is essentially the opposite: light is beautiful, but this does not mean that there is nothing to add to its radiant charm. On the contrary, there are thousands of ways for this, known to artists and designers.

So, first of all, it is worth considering whether you are ready to pay a certain amount for this most embellished charm, from which, in general, there is no particular benefit. If this statement sincerely outrages you and you say that aesthetic pleasure, comfort and originality also belong to the category of useful things, then decor plays a decisive role in choosing a lamp model.

bright heads

Lamps of different types– halogen, incandescent, luminescent (including energy-saving),– as we have already said, peacefully side by side in a modern interior. ATIn connection with this, the problem inevitably arises: what kind of light sources to prefer? The tungsten filament of incandescent lamps emits warm (in our sense– cozy) light. Halogen and fluorescent sources are economical, but their glow seems “cold”, therefore, more “office”. BUTis this prejudice? After all, the design of the lamp and the type of lamp– things are interconnected. ATRecently, luminescent sources have become very popular in Europe. It is under them that many designers create their projects. ATIn our country, consumers still prefer the good old Edison light bulb (it hasn’t changed that much in 150years of its existence). And the point is not only its low cost (although an energy-saving lamp is almost 50times more expensive). Above all for us still– tradition.

First impression

Now, armed with a minimum of necessary knowledge, we can rightfully go on a “round the world” trip around our own home. It begins, as usual, in the hallway. You do not have to be a great specialist to guess the inappropriateness of portable lamps in this area of ​​​​the interior. However, as you know, stereotypes do little to help creativity. ATAs an example, let’s take one of the latest developments in the field of design. Company LUCEPLAN (Italy) presents without exaggeration the universal Chichibio model ($350). The diffuser made of matt polycarbonate is mounted on a telescopic rod with a spring-loaded shock absorber base. We raise the bar until the ceiling (it is closed from above, so that overheating is impossible) rests against the ceiling (the height of the model is 220-330cm), fix it, turn it on… The lamp turns into a kind of shining “spacer” that takes up very little space. Such a model is especially justified with a low ceiling, since diffused light visually raises it above less lit walls.

Table lamps arranged symmetrically on shelves on both sides of the mirror,is also an acceptable solution. ATIn this case, the room becomes much lighter and seems to be wider.

Socialite talk

Living room– the front area, which, as was customary from time immemorial, should be literally flooded with light. “However!– you say.– How uneconomical! “Perhaps. But we do not arrange balls and ceremonial receptions every day, and five or six beloved friends and the same number of relatives may well come to visit at the same time. In this case, a fairly bright general light is needed (a chandelier, for example). However, it all depends on the situation.If the living room and dining room are separated, then a dim local light is enough for a friendly (not table!) conversation. An extremely successful option that combines general and local light,– floor lamps with an additional “folding” lamp, necessary when reading or working. This is the Tulip model (28000rub.) from the company GROSSMANN (Germany).

It is difficult to give a definite answer to the question of where exactly to install a floor lamp. Portable lamps exist for that, so that you can change their location at any time. As a rule, they are placed next to an armchair or sofa.– on the left and a little behind, so it is most convenient to read and carry on a conversation. No less complex and, to tell the truth, almost inexhaustible question about the design of floor lamps. The classification can only be the most approximate. For example, according to the shape of the lampshade or the material from which it is made.

In terms of shape, the classic cone never seems to go out of style. Its advantage lies not only in traditionalism, it is also understandable from a functional point of view. The cone optimally scatters light (only the sphere, which is still less popular in our homes, can argue with this shape). Floor lamp 3516 (20500rub.) by PALE (Spain) and a table lamp Conica (7000rub.) from COPYRIGHT (Italy) are among just such models. For the manufacture of lampshades, fabrics are often used, both natural (linen, cotton) and artificial. There are also more complex options. Let’s say the lamp shade Lucilla from LUCEPLAN made of Nomex fabric, which literally “does not burn in fire and does not sink in water” (that is, it is not afraid of overheating and easily tolerates washing in a conventional washing machine). By the way, suits for Formula 1 racers are sewn from the same fabric. In addition, designers willingly use paper, leather and even fur.– sometimes extravagant solutions quickly become traditional.

Glass– the material is as traditional as it is conducive to all sorts of experiments. FROMhe is directly associated with another extremely popular and fashionable motif, far from minimalist canons,– floristic. The living room, turned into a kind of Garden of Eden (expensive, but beautiful!), Will amaze the imagination of any guest.

As the BELLART company (Italy) rightly notes, its Deco collection (table lamp– eight000rub.)is “not only light sources, but also exquisite details of the environment, design inspired by nature.” ATSoffio collections (35000rub.) “flowers”, “bushes” and “trees” seem to sway in the wind. Separate thin stems are collected in a bunch and intertwined with a petal … It’s hard to believe that all these “stems” and “leaves”– nothing but wrought iron. The flowers themselves are handmade from excellent Murano glass. A similar technology (and hence the price) is inherent in the Ca’ d’oro and Sora luce collections by SYLCOM (Italy). Less expensive, but no less charming floor lamp КА-032.44.Н.С. (eleven700rub.) and table lamps KA-032.72.N.S. (four160rub.) and KA-032.73.N.S. (5500 rubles) from KAAL INTERNATIONAL (Austria).

A table lamp, we note, is not an indispensable element of the living room decor. But very often, manufacturers offer kits that include a chandelier, a floor lamp, a sconce and a table lamp, which is fully consistent with the classic principles of decor. The Galassia and Venere collections, developed by LAMP (Italy), are restrained and minimalistic, although not only nickel, but also luxurious gold is used to finish metal parts. Such lamps are good next to strict geometric furniture.

The problem of stylistic conformity, which we have now touched upon, is extremely important. You can not choose a lamp only on the basis of “liked”. This decor element in itself is too bright (in every sense), often defining the compositional center of the interior. Let’s do a little “comparative analysis”. Before us are two models: Bamboo floor lamp (40,500 rubles) companies MASCA (Italy) and floor lamp Gala ($200) from PAULMANN (Germany). Formally, there is some similarity between them: tubes – “stems” and cylindrical shades – “flowers”. But in the first case, the model literally copies the structure of a bamboo stalk (for greater resemblance, designers use leather as a finish), and in the second, it is a geometric and stylized embodiment of the same motif. ATAs a result, the first lamp is suitable for an interior in an exotic or ethnic spirit, and the second one will harmoniously fit into a minimalist environment.